Miguel Rosero is a creative with natural talent and passion for the digital design arts. He instinctively fuses the typographic with the visual with a remarkable ability to produce striking, elegant, and modern compositions while maintaining a minimalistic approach that stands out from the crowd.

Most of Miguel’s work revolves around the film industry. His interest in graphic design and motion graphics has led him to a number of interesting film and television projects. Additional creative projects include the design of posters for motion pictures, computer graphics for commercials, developing attractive websites, graphic design for production, post-production, wardrobe, practical property, as well as print design such as DVD and packaging design and creating innovative corporate logos and collateral materials for his clients.

In his professional career, Miguel has participated in more than 30 projects, among those who stand out are the National Geographic series, American Genius, where he was the season’s graphic designer, the television series NASCAR: The Rise of American Speed produced by the CMT Network. He was also part of the series Roman Empire – Reign of Blood for Netflix, the theatrical release of the film The Belko Experiment, which is produced by James Gunn, director of the film Guardians of the Galaxy and directed by Greg McLean (Wolf Creek & The Darkness), as well as in the series American Playboy – The Hugh Hefner Story, for Amazon Studios, a documentary drama based on the life of Hugh Hefner, the enigmatic founder of the Playboy Empire.

Recently, his work can be appreciated in Kingpin produced by History Channel, a fascinating docu-series chronicling the lives of some of the most well-known names in the world of crime; John Gotti, Jimmy Bulger, El Chapo Guzman, and Pablo Escobar, and their rise to power.

Miguel has just finished working in two international projects, Siempre Bruja, available now on Netflix, and a bio-epic about famous Colombian bullfighter, Pepe Caceres, also premiering in 2019.

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